stille grender Tord Gustavsen, Det Norske Jentekor, Anne Karin Sundal-Ask
Das Album enthält Albumcover Booklet (PDF)
- 1Carol of the Bells02:06
- 2The Bells00:00
- 3Det lyser i stille grender02:50
- 4Deilig er den himmel blå03:05
- 5Jul i svingen02:18
- 6Glade jul (Stille natt)02:24
- 7Joleklokker over jorda03:45
- 8Eg veit i himmerik ei borg02:33
- 9Jul, jul, strålande jul04:03
- 10Jeg er så glad hver julekveld06:29
- 11Nå tennes tusen julelys03:32
- 12Mitt hjerte alltid vanker08:28
- 14Ljoset nytt i natti rann04:15
- 15Deilig er jorden03:42
- Tord Gustavsen: (solo piano)
- 16ved myrke midnattstid06:04
- 17sjelenes pilgrimsgang01:58
- 18ingen krok er mørk02:56
- 19inkarnasjon I02:36
- 20inkarnasjon II01:22
- 21inkarnasjon III03:15
- 22inkarnasjon IV01:21
- 23til lave hytter04:14
- 24Ljoset nytt i natti rann04:05
- 25inkarnasjon V03:14
- 26inkarnasjon VI04:29
Info zu stille grender
The Norwegian Girls Choir and pianist Tord Gustavsen combine their talents in a programme of popular and cherished Christmas carols, leading the audience from quiet melancholy to expressive improvisations and sparkling, ecstatic moments. Anne Karin Sundal-Ask directs the performances with attention to each individual singer and to the distinctive sound of the choir as a whole. Through their warm musical presence, Gustavsen and these radiant young voices appeal to our very hearts.
The Norwegian Girls Choir, with their conductor Anne Karin Sundal-Ask, has had extensive collaborations with renowned Norwegian ensembles, soloists and composers within a wide range of genres. Part of the choir’s success is due to the deep trust established between the conductor and her singers. In this recording the unique qualities of both the choir and pianist Tord Gustavsen are brought forward and strengthened as a result of the encounter. The homogeneous sound and quiet dynamics of the choir contrast with the virtuosity of Gustavsen, whether they dance with him, express the melody, or provide a background of supporting sound constellations.
We may find our senses sharpened from the very first, dark sounds of the piano in Carol of the Bells. The insistent rhythmic beat in this first carol prepares us for a listening experience that differs from what we normally expect from a Christmas album. The dark foundation created by Gustavsen’s direct use of the piano strings is contrasted with the ethereal sound of the Girls Choir – the dark and the light are equally responsible for the pure and full expression that sets the tone for the rest of the album.
Det Norske Jentekor
Anne Karin Sundal-Ask, conductor
Tord Gustavsen, piano
br>The Norwegian Girls Choir
directed by Anne Karin Sundal-Ask, is a choir with proud traditions and high artistic standards. The choir is composed of singers from the Oslo area who are admitted through auditions.
The Norwegian Girls Choir is an independent continuation of The Norwegian Broadcasting Company’s Girls Choir, which was established in 1947. The choir has long been a strong institution in Norwegian cultural life, and it has fostered a number of great singers, musicians and artists.
The choir’s ambition is to be a learning environment that helps the girls develop into independent musicians and artists, with strong musical expressiveness that can touch both the audience and the singers themselves. In this environment the girls develop their understanding, experience, and interest in music, with some subsequently performing at a high professional level. Norway’s foremost contemporary composers have written new music for the choir, leading to acclaimed performances of these works across Norway as well as abroad.
Anne Karin Sundal-Ask has been the conductor and artistic director of The Norwegian Girls Choir since the spring of 2005. She has training as a conductor, flutist, and music teacher. In addition to directing The Norwegian Girls Choir, she teaches conducting at The Norwegian Academy of Music. She has also served as a judge for international choir competitions. Sundal-Ask has received several prizes and awards for her work, and has led a number of choirs to victories in international competitions. She is committed to the pursuit of excellence, and is inspiring as a leader.
She has a unique ability to communicate her musical vision to the singers so that each one performs to her utmost. Sundal-Ask’s focus on intonation, quality of sound, and ensemble performance has become a trademark. Together with the choir she continuously strives to create moving and expressive performances.
Anne Karin Sundal-Ask
has been the conductor and artistic director of The Norwegian Girls Choir since the spring of 2005. She has training as a conductor, flutist, and music teacher. In addition to conducting The Norwegian Girls Choir, she has conducted some of Norways finest choirs such as The Norwegian National Youth Choir, NOVA chamber choir and Kvindelige Studenters Sangforening. She has also been teaching conducting at The Norwegian Academy of Music and served as a judge for international choir competitions.
Sundal-Ask and The Norwegian Girls Choir has commissioned a large number of works by Norway´s finest composers. Sundal-Ask has received several prizes and awards for her work, and has led a number of choirs to victories in international competitions.
She is committed to the pursuit of excellence, and is inspiring as a leader. She has a unique ability to communicate her musical vision to the singers so that each one performs to her utmost. Sundal-Ask’s focus on intonation, quality of sound, and ensemble performance has become a trademark. Together with her choirs she continuously strives to create moving and expressive performances.
has released eight albums on ECM Records with his ensemble and trio; "Changing Places" (2003), "The Ground" (2005), "Being There" (2007), "Restored, Returned" (2009/2010), "The Well" (2012); "Extended Circle" (2014); "What was said" (2016); and "The Other Side" (2018). His music has been met by a huge volume of critical approval around the world (cf. Critics). He has won the Norwegian Grammy Award (Spellemannsprisen) and numerous other awards and prizes (cf. extended CV).
After playing primarily in trio format for several years, Tord launched his new project, Tord Gustavsen Ensemble, in 2008 with a commissioned work for the Vossajazz Festival in Norway, followed by a new recording in 2009. In 2011-2015, the quartet was Tord's major touring ensemble formation, alongside duo and trio formats with the musicians in the ensemble. He did extended projects with Kristin Asbjørnsen and Susanna Wallumrød joining the ensemble on vocals, with Cecilie Jørstad doing spoken word, and with Nils Økland on fiddle/violin. In 2016, the ensemble was supplmented with a new, alternative trio featuring Afghan-German singer Simin Tander and Jarle Vespestad on drums, for album release and extensive touring.
In 2018, it was again time to release an album in piano trio format, featuring bass player Sigurd Hole and drummer Jarle Vespestad. While relating to his first trilogy of trio albums, Tord's new album also integrates subtle electronics, and it paradoxically sounds both deeper, darker and more open than the first trio did.
Before starting his solo career, Tord had already been an important part of the Norwegian jazz scene for several years. His playing has formed a cornerstone in projects featuring some of the finest Norwegian singers, including Solveig Slettahjell, Silje Nergaard, Siri Gjære, and Kristin Asbjørnsen. The urge for individual expression fuses with acutely attentive listening in creative interplay, making Tord a very special experience both as a soloist and as an ensemble player. While relating to fields like Scandinavian folk music, gospel, Caribbean music and cool jazz alike, Tord's ensembles present a unique universe of lyricism and subtle funkiness. His way of melding jazz history with 'Nordic' reflective moods and lyrical beauty brings about an intriguing voice on today's music scene.
Tord tours extensively world-wide with his projects (cf. Live). He can be heard on several albums; in addition to his own releases there are releases with Solveig Slettahjell, Kristin Asbjørnsen, Mahsa Vahdat, Silje Nergaard, the Nymark Collective, the Ulrich Drechsler Quartet, Carl Petter Opsahl, and the duo aire & angels.