United Commodores

Album Info

Album Veröffentlichung:
1986

HRA-Veröffentlichung:
29.04.2015

Das Album enthält Albumcover

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.

Ihr, HIGHRESAUDIO

  • 1Goin' To The Bank04:19
  • 2Take It From Me04:01
  • 3United In Love04:25
  • 4Can't Dance All Night03:58
  • 5You're The Only Woman I Need04:40
  • 6Land Of The Dreamer04:28
  • 7Talk To Me04:44
  • 8I Wanna Rock You05:24
  • 9Let's Apologize03:51
  • 10Serious Love04:02
  • Total Runtime43:52

Info zu United

„After over a decade at Motown, the Commodores moved to Mercury/PolyGram with 1986's United. By that time, the group's lineup consisted of British singer J.D. Nicholas (a Heatwave graduate who came on board in 1984) and original members Walter Orange (lead vocals, drums), William King (percussion, trumpet, synthesizers), and Milan Williams (keyboards). Lionel Richie (who was selling millions of records as a solo artist), Thomas McClary, and Ronald LaPread were all gone. An abundance of studio musicians and outside songwriters are employed on this high-tech, pop-minded urban contemporary outing, and not surprisingly, the Commodores no longer sound distinctive. Orange (who shares the lead vocals with Nicholas) is still recognizable, but even so, United doesn't really sound like a Commodores album. Although wildly uneven, the record has its moments. 'Goin' to the Bank' (which climbed to number two on Billboard's R&B singles chart) and 'Take It From Me' (both of which feature Orange) are infectious synth-funk items, and Nicholas has a pleasant spot on the adult contemporary ballad 'United in Love.' But most of the material (which was produced by Dennis Lambert, James Carmichael, and others) is forgettable. Again, United has its moments, but it pales in comparison to 1970s classics like Movin' On, Caught in the Act, and Hot on the Tracks.“ (Alex Henderson, AMG)

J.D. Nicholas, vocals
Walter Orange, lead vocals, drums
William King, percussion, trumpet, synthesizers
Milan Williams, keyboards

Digitally remastered


The Commodores
Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. The group is credited with seven number one songs and a host of other Top Ten hits on the Billboard charts, and their vast catalog includes more than 50 albums.

The members of Commodores, all of whom attended Tuskegee Institute in Alabama, came together as a result of two groups disbanding: the Mystics and the Jays. Initially formed to simply play music as a pastime and to meet girls, the lineup consisted of William King (trumpet), Thomas McClary (guitar), Ronald LaPread (bass), Walter "Clyde" Orange (drums), Lionel Richie (saxophone), and Milan Williams (keyboards). The members nearly went stir-crazy trying to pick a name for the group, but with no success. As a last resort, Orange gave King a dictionary and told him to pick a name — that name was the Commodores. With Clyde Orange the only learned musician in the group, Commodores began spreading their music throughout their base, which included Tuskegee, Montgomery, and Birmingham, AL.

After success securing dates in their own backyard, the band ventured to New York City for a gig at Smalls Paradise. Told, in so many words by the club owner, that their sound was not happening, the self-contained band was nevertheless called back to the club to fill in for a last-minute cancellation. That night the Tuskegee alumni performed before a standing-room-only crowd — most of which were friends and family of the band. Unaware of the planned crowd, the owner booked the band for two more weeks.

Commodores' long association with Motown began as a result of a tour opening for the Jackson 5. That opportunity occurred in 1971, when the group auditioned in New York City for an unknown yet high-profile gig. Two weeks later, they made their first appearance in the prized support slot, and didn't give it up for more than two years. Their excellent shows naturally led to a deal with Motown, and they debuted with the up-tempo instrumental dance cut "Machine Gun." Written by Milan Williams, its Top Ten outing gave the group immediate attention. It was followed by the Top 20 single "I Feel Sanctified," which led to their third single — and first number one record — in "Slippery When Wet." Inside of 17 weeks, the septet was rocking the airwaves with their brand of Southern funk, spiced with an animated vocal delivery courtesy of Lionel Richie and Clyde Orange.

In September of 1976, they released "Just to Be Close to You," their second number one single and a number seven pop hit. The Top Ten hit "Fancy Dancer" followed, and then came "Easy." Different from their other tunes, "Easy" was very serene and not nearly as soulful or funky as the band's other tunes. Nonetheless, it claimed the number one spot on the charts, and it paved the way for the style of ballads the group became known for. One exception to the ballad-heavy approach was "Brickhouse," the song that soon became the group's anthem. The arrangement and candid vocal lead by Clyde Orange was complemented by the evenly saturated percussive and rhythmic attack, and it cracked the Top Ten at number four. Two consecutive number one singles would follow: the dance cut "Too Hot ta Trot" and the placid number "Three Times a Lady." And then there was "Still," the last number one for the group with Richie as a member. In 1981, Richie recorded "Endless Love" with Diana Ross. The song peaked at number one for seven and nine weeks, respectively, on the Billboard R&B and pop charts. Its success was a prelude to what Richie enjoyed upon his 1982 exit from the group.

In the absence of Richie, the group promptly courted tenor J.D. Nicholas (formerly of Heatwave) and ended up recording their biggest hit. Penned by Clyde Orange, "Nightshift" paid tribute to the late soul singers Marvin Gaye and Jackie Wilson. For four consecutive weeks it topped the charts, and it also won the group their only Grammy.

Commodores finally left Motown in 1985. Consequently, the group signed with Polydor the same year and had another swing at the Top Ten with "Goin' to the Bank." During the '90s, the band was reduced to a core of three: Orange, King, and Nicholas. The threesome were nearly as active as they'd ever been, performing around the world and managing their own label, Commodore Records.

Dieses Album enthält kein Booklet

© 2010-2024 HIGHRESAUDIO