Come An' Get It Whitesnake

Album Info

Album Veröffentlichung:
1981

HRA-Veröffentlichung:
06.11.2014

Label: Warner Music Group

Genre: Rock

Subgenre: Hard Rock

Das Album enthält Albumcover

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.

Ihr, HIGHRESAUDIO

  • 1Come An' Get It03:57
  • 2Hot Stuff03:22
  • 3Don't Break My Heart Again04:02
  • 4Lonely Days Lonely Nights04:15
  • 5Wine, Women An' Song03:44
  • 6Child of Babylon04:48
  • 7Would I Lie to You04:29
  • 8Girl03:54
  • 9Hit An' Run03:22
  • 10Till the Day I Die04:30
  • Total Runtime40:23

Info zu Come An' Get It

Come An' Get It aus dem Jahre 1981 kann man getrost als das ultimative Whitesnake Studioalbum bezeichnen. Eingespielt von den erfahrenen Recken Micky Moody (Gitarre), Bernie Marsden (Gitarre), Neil Murray (Bass), Ian Paice (Schlagzeug) und Jon Lord (Keyboards), beinhaltet das Werk den stimmlichen Höhenflug von Wunderknabe David Coverdale, der mit dieser Leistung seine Einzigartigkeit als Hard-Rock-Sänger unterstrich. Egal welche der zehn Stücke man heraushebt, es sind allesamt Klassiker. Die druckvolle Singleauskopplung 'Don't Break My Heart Again' beispielsweise oder das bluesgetränkte und getragene 'Lonely Days, Lonely Nights' -- hier stimmt einfach alles. Auch die trockene Produktion von Martin Birch hätte passender nicht ausfallen können. Purer Rock 'n' Roll bei 'Wine, Women An' Song', herrliche Atmosphäre bei 'Till The Day I Die', die Vielfalt des Albums ist einfach großartig. 'Child Of Babylon' setzt mit seinem dramatischen Aufbau dem Ganzen die Krone auf und kann wahrlich als Gänsehaut-Garant bezeichnet werden.

David Coverdale, vocals
Micky Moody, guitar, backing vocals
Bernie Marsden, guitar, backing vocals
Jon Lord, keyboards
Neil Murray, bass
Ian Paice, drums

Recorded at Startling Studios, Tittenhurst Park, Ascot, England in July 1980, Sept. 1980 and Jan. 1981
Produced by Martin Birch

Digitally remastered


Whitesnake
After recording two solo albums, former Deep Purple vocalist David Coverdale formed Whitesnake around 1977. In the glut of hard rock and heavy metal bands of the late '70s, their first albums got somewhat lost in the shuffle, although they were fairly popular in Europe and Japan. During 1982, Coverdale took some time off so he could take care of his sick daughter. When he re-emerged with a new version of Whitesnake in 1984, the band sounded revitalized and energetic. Slide It In may have relied on Led Zeppelin's and Deep Purple's old tricks, but the band had a knack for writing hooks; the record became their first platinum album. Three years later, Whitesnake released an eponymous album (titled 1987 in Europe) that was even better. Portions of the album were blatantly derivative — "Still of the Night" was a dead ringer for early Zeppelin — but the group could write powerful, heavy rockers like "Here I Go Again" that were driven as much by melody as riffs, as well as hit power ballads like "Is This Love." Whitesnake was an enormous international success, selling over six million copies in the U.S. alone.

Before they recorded their follow-up, 1989's Slip of the Tongue, Coverdale again assembled a completely new version of the band, featuring guitar virtuoso Steve Vai. Although the record went platinum, it was a considerable disappointment after the across-the-board success of Whitesnake. Coverdale put Whitesnake on hiatus after that album. In 1993, he released a collaboration with former Led Zeppelin guitarist Jimmy Page that was surprisingly lackluster. The following year, Whitesnake issued a greatest-hits album in the U.S. and Canada focusing solely on material from their final three albums (as well as containing a few unreleased tracks).

In 1997, Coverdale resurrected Whitesnake (guitarist Adrian Vandenberg was the only remaining member of the group's latter-day lineup), issuing Restless Heart the same year. Surprisingly, the album wasn't even issued in the United States. On the ensuing tour, Coverdale and Vandenberg performed an "unplugged" show in Japan that was recorded and issued the following year under the title Starkers in Tokyo. By the late '90s, however, Coverdale once again put Whitesnake on hold, as he concentrated on recording his first solo album in nearly 22 years. Coverdale's Into the Light was issued in September 2000, featuring journeyman guitarist Earl Slick. After a lengthy hiatus that saw the release of countless "greatest-hits" and "live" collections, the band returned in 2008 with the impressive Good to Be Bad. Coverdale and Whitesnake toured the album throughout Europe and Japan. The band returned to the recording studio in 2010 with new members bassist Michael Devin (formerly of Lynch Mob) and drummer Brian Tichy, who appeared alongside guitarists Doug Aldrich and Reb Beach, and guest keyboardist Timothy Drury (as well as Coverdale's son Jasper on backing vocals on various tracks). The band's 11th album, Forevermore, was preceded by the issue of the single, "Love Will Set You Free," and released in the spring of 2011. (ROVI)

Dieses Album enthält kein Booklet

© 2010-2019 HIGHRESAUDIO