Lidström: Rigoletto Fantasy - Shostakovich: Cello Concerto No. 1 Mats Lidström, Oxford Philharmonic Orchestra & Vladimir Ashkenazy

• Mats Lidström (1959- ): Rigoletto Fantasy:
• 1 I. Introduction and the Duke's Aria "Questa o quella" 02:33
• 2 II. Caro nome che il mio cor 03:37
• 3 III. Tutte le feste al tempio 02:06
• 4 IV. Figlia! Mio padre! 01:19
• 5 V. Scorrendo uniti remota via 03:39
• 6 VI. La donna è mobile 02:18
• 7 VII. Venendo, mi vede alcuno? 03:38
• 8 VIII. Cortigiani vil razza, dannata 02:32
• 9 IX. Miei signori, perdono, pietate 04:31
• 10 X. Solo, difforme, povero 02:23
• 11 XI. O tu che la festa audace hai turbato 01:20
• Dmitri Shostakovich (1906-1975): Cello Concerto No. 1 in E-Flat Major, Op. 107:
• 12 I. Allegretto 06:30
• 13 II. Moderato 12:02
• 14 III. Cadenza 05:28
• 15 IV. Allegro con moto 05:02
• Total Runtime 58:58

Info zu Lidström: Rigoletto Fantasy - Shostakovich: Cello Concerto No. 1

Vladimir Ashkenazy and Mats Lidström began their collaboration in London in the 1980s, during Ashkenazy’s tenure at the Royal Philharmonic Orchestra where Lidström was principal cellist. They have since appeared together in concert as well as on recordings, including a recording of concertos by Kabalevsky and Khachaturian on BIS. They are here reunited, in front of the Oxford Philharmonic Orchestra, in a performance of what has become a true modern classic: Dmitri Shostakovich’s Cello Concerto No. 1. The concerto was composed in 1959, during the so-called Khruschev Thaw, but even though Soviet censorship and repression had relaxed somewhat following the death of Stalin, the approval from the mighty Composer’s Union was still needed before any public performances could take place. When the concerto was performed before the Union’s committee, Vladimir Ashkenazy – then in his early twenties – was present and has recounted how nervous and uncomfortable Shostakovich appeared while observing the reactions of the committee. The release opens with Mats Lidström’s own Rigoletto Fantasy, based on Verdi’s opera. Inspired by virtuosic violin pieces such Sarasate’s Carmen Fantasy, and with professional experience from the orchestra pit of the Royal Swedish Opera, Lidström has selected a string of highlights from Rigoletto, including of course the Duke’s La donna è mobile and Gilda’s Caro nome, joining them together in a virtuosic, dramatic and moving narrative.

Mats Lidström, cello
Oxford Philharmonic Orchestra
Vladimir Ashkenazy, conductor

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