Just Push Play (Remastered) Aerosmith
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- 1Beyond Beautiful04:45
- 2Just Push Play03:51
- 4Fly Away From Here05:01
- 5Trip Hoppin'04:27
- 7Under My Skin03:45
- 8Luv Lies04:26
- 9Outta Your Head03:22
- 10Drop Dead Gorgeous03:42
- 11Light Inside03:34
- 12Avant Garden06:36
Info zu Just Push Play (Remastered)
„Give Aerosmith credit for not only realizing something was wrong after Nine Lives relatively flat-lined, but deciding to do something about it. Ditching the outside producers who initially liberated but eventually straitjacketed them, Steve Tyler and Joe Perry seized control of the boards, working with the assistance of Mark Hudson and Marti Frederiksen. (Forever the Stones fanatics, Tyler and Perry dubbed this crew the Boneyard Boys, just like how Mick-n-Keef are the Glimmer Twins.) So, this isn't really a full-fledged band affair and Hudson and Frederiksen's fingerprints are all over the place, but that doesn't matter since the end result is tighter, savvier, and better than anything since Pump. It's still far from perfect, however, since it suffers from a dearth of memorable material, and the group members' steadfast refusal to act their age results in a couple of embarrassing slips into stodginess (the 'f*ckin' A' chorus on the title track, a song improbably titled 'Trip Hoppin',' or the ludicrous 'Avant Garden'). These mean that the record doesn't come close to matching the twin comebacks of Permanent Vacation and Pump, but it's a sleek, classicist hard rock record that sounds good -- better than Aerosmith has sounded in nearly a decade, as a matter of fact, particularly when the group gets a hook as tuneful as that of 'Jaded.' Aerosmith sounds good enough on Just Push Play that it almost makes you forgive the Heavy Metal refugee on the front cover, a sexy robot illustration that looks far more out of date than the music sounds.“ (Stephen Thomas Erlewine, AMG)
Steven Tyler, lead vocals, harmonica
Joe Perry, guitar, backing vocals
Brad Whitford, guitar
Tom Hamilton, bass
Joey Kramer, drums
Jim Cox, piano on 'Fly Away From Here'
Paul Santo, Kurzweil on 'Fly Away from Here', Hammond organ on 'Avant Garden'
Tower of Power, horns on 'Trip Hoppin''
Dan Higgins, clarinet, saxophone on 'Trip Hoppin''
Chelsea Tyler, backing vocals on 'Under My Skin'
Paul Caruso, loop programming on 'Drop Dead Gorgeous'
Liv Tyler, whispers on 'Avant Garden'
Tony Perry, Scratching on 'Just Push Play'
Recorded at The Boneyard & The Bryer Patch, Long View Farms Studio, Ocean Way Studios, Sound Techniques, Village Recorders, Pearl White Studios, Whatinthewhatthe Studios, The Studio in the Sunset Marquis
Produced by Steven Tyler, Joe Perry, Mark Hudson, Marti Frederiksen
Legends. Icons. Idols. These are the words used to describe those rare bands that have been adored for a lifetime and immortalized as distinct creators of rock and roll. But what these reverent words are missing is the notion of now. How do you reconcile a generation-spanning word like icon with the quick beat of the present? Aerosmith does it. The band members are legends, icons and idols, dynamic in the present; as cool and innovative now as they were thirty years ago. They are a phenomenon, a force of nature, trail-blazing, unstoppable, showing no signs of slowing down.Unique even among the select handful of rock bands who are still active after their Rock and Roll Hall of Fame induction, Aerosmith has sold over 100 million albums.
Think for a second about how big a number that is and how many people have heard their music. Huge! Steven Tyler on vocals, Joe Perry and Brad Whitford on guitars, Tom Hamilton on bass, and Joey Kramer on drums. They’ve outdone the trends and fads of rock and roll to become one of the most powerful and electrifying forces in popular music.
Rewind for a minute to the early ‘70s, when the phrase “sex, drugs and rock & roll” was a rebellious teenager. Enter Aerosmith with a sexy swagger and thrusts ofmetal, glam and boogie woogie. Tyler’s lyrics laced with double entendres and witty humor perfectly complimented by the entire group cool urban charisma. Beyond driving rock and roll tunes, Aerosmith created quintessential power ballads such as Dream On. This dual skill set gave the band a string of gold and platinum albums, including Get Your Wings, Toys in the Attic and Rocks.
The early ‘80s were rockier times, with Perry and Whitford temporarily leaving the Aero fold to pursue solo projects. The guitarists returned in 1984 and soon after, Aerosmith was back in the saddle again. And they have been on top of the charts ever since. Albums like Permanent Vacation, Pump, Get a Grip and Nine Lives, Just Push Play, and their latest release, the blues-inspired 'Honkin' on Bobo', have all been huge successes. And the killer videos – a driving force of the video medium, these Boston rockers led the look, style and attitude of the ‘80s MTV generation. Videos for Dude Looks Like a Lady, Livin’ On the Edge and Crazy (starring Liv) are solid MTV classics. And later, with videos like Pink and Jaded, Aerosmith continued to cut the edge.
Always a step ahead of the pack, Aerosmith’s Just Push Play is the first album to be produced by band members Steven Tyler and Joe Perry (along with Mark Hudson and Marti Frederiksen). The unforgettable pop melodies and bone-shaking rock riffs that are Just Push Play sent Aerosmith even further on their path to musical immortality.
'Honkin' on Bobo' was released in March 2004, and as one Rolling Stone review put it: "Aerosmith don't have much time for pain on Honkin' on Bobo. The songs are mostly about gettin' some, then gettin' outta there -- Dixon's "I'm Ready," Bo Diddley's "Road Runner" -- and the attack is heavy Sixties shindig: snarling guitars, thunderclap drumming, Steven Tyler's 3-D snake hiss and widescreen yowl. Bobo is really a combined tribute: to the originators of the blues' core repertoire and the explosive, electric inventions of 1960s British bands such as the Yardbirds, Mayall's Bluesbreakers and the Peter Green-era Fleetwood Mac." (David Fricke, Rolling Stone)
With such an unstoppable passion for creating great music, a unique creative vision and an unyielding appreciation for their fans, there are no limits to what the future holds for Aerosmith.
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