ABC (Remastered) Jackson 5
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- 1The Love You Save03:05
- 2One More Chance03:01
- 5(Come 'Round Here) I'm The One You Need02:44
- 6Don't Know Why I Love You03:51
- 7Never Had A Dream Come True03:06
- 8True Love Can Be Beautiful03:30
- 9La La (Means I Love You)03:30
- 10I'll Bet You03:18
- 11I Found That Girl03:13
- 12The Young Folks02:56
Info zu ABC (Remastered)
Easy as 'ABC,' the Jackson Five have rocketed to the top of the soul and pop markets with an exciting sound that can only be described as that marvelous Motown sound of the early Supremes and Stevie Wonder. A bundle of energy and perpetual motion, the Five rip it up with their smash, plus sure shots like 'The Love You Save,' 'One More Chance,' and 'I Found that Girl.' Motown standards also get the hit treatment. Look out! (Billboard, 1970)
„Not even six months after the Jackson 5 -- Jackie, Jermaine, Marlon, Michael, and Tito -- issued their debut long-player, Diana Ross Presents the Jackson 5 (1969), the vocal quintet returned with ABC (1970), arguably the brothers' most solid effort of the early '70s. The Jacksons' collective (and respective) talents, coupled with exemplary material and the finest behind the scenes crew Motown had to offer, were directly responsible for the enormous success that placed the LP at the crest of the R&B chart and into the Top Five of the pop survey, while the title track and the double-sided hit single 'The Love You Save' b/w 'I Found That Girl' all went directly to the number one position across the board. Not too shabby for a group whose oldest member was barely in his teens. Granted, the familiar tunes are undeniably the focal point, making it easy to overlook some of the other stellar selections. As was customary, Motown's cache of house composers provide the lion's share of the songs, most notably the Holland-Dozier-Holland-penned '(Come 'Round Here) I'm the One You Need' -- brought to prominence by Smokey Robinson & the Miracles -- and Stevie Wonder's 'Never Had a Dream Come True,' which Wonder himself had recently included on his own Signed, Sealed & Delivered (1970). There are also a few contemporary nuggets from beyond the boundaries of Detroit, as 'La-La (Means I Love You)' is derived from the up-and-coming Philly soul movement and 'I'll Bet You' was gleaned from George Clinton's incipient incarnation of Funkadelic. However, the cuts credited to 'the Corporation' -- with Bobby Taylor and instrumentalists Deke Richards (guitar), Freddie Perren (keyboard), and Fonce Mizell (keyboards), as well as Motown founder Berry Gordy -- were of primary significance not only on the ABC album, but within the entire Jackson 5 oeuvre.“ (Lindsay Planer, AMG)
Michael Jackson, vocals, background vocals
Jermaine Jackson, vocals, background vocals
Tito Jackson, vocals, background vocals
Jackie Jackson, vocals, background vocals
David T. Walker, guitar
Louis Shelton, guitar
Don Peake, guitar
Freddie Perren, keyboards
Wilton Felder, bass
Gene Pello, drums
Marlon Jackson, background vocals
Produced by The Corporation
The Jackson 5
were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. The Jackson 5's infectious brand of funky pop-soul was a definite departure from the typically smooth, elegant Motown sound, as befitting the group's youth and the dawn of a new decade. That youth, coupled with the merchandising juggernaut that sprang up behind them, inevitably got them tagged a bubblegum group. But they were far more talented musically than that label would suggest, especially lead singer Michael, and their material, while sunny and upbeat, didn't pander to its audience. Solo careers and overexposure gradually weakened the Jackson 5, but their best music still holds up surprisingly well as some of the most vibrant mainstream pop/R&B of its era.
Originally, the Jackson 5 were composed of brothers Jackie (born Sigmund Jackson, May 4, 1951), Tito (guitar, born Toriano Jackson, October 15, 1953), Jermaine (bass, lead vocals, born December 11, 1954), Marlon (born March 12, 1957), and Michael (lead vocals, born August 29, 1958). By all accounts, the Jackson family's upbringing in Gary, IN, was strict; their mother Katherine was a devout Jehovah's Witness, and their father Joe was a stern, temperamental disciplinarian. Allowed few outside interests, the boys gravitated to music, which was in their blood -- prior to his job as a crane operator for a steel company, Joe had played guitar in an R&B group called the Falcons (not the same group that launched Wilson Pickett's career). One night, Joe discovered that Jackie, Tito, and Jermaine had been playing his treasured old guitar without permission; though initially furious, he quickly discovered that his sons had genuine talent, and began to conceive of a family singing group that might eventually get them out of their tough working-class life in Gary. The eldest three sons began performing around the area together in 1962, teamed with two cousins (Johnny Jackson and Ronnie Rancifer), who were replaced by Marlon and five-year-old Michael. Supervised by Joe, who became their manager and began working only part-time, the group practiced and rehearsed often, and improved as dancers, singers, and instrumentalists at a rapid rate. In particular, Michael proved himself a dynamic performer, soon replacing Jermaine as the featured lead vocalist, and establishing himself as a nimble dancer able to mimic talents like James Brown. At first, the group was known as Ripples & Waves Plus Michael, then the Jackson Brothers, and finally the Jackson 5.
In 1966, the Jackson 5 won an important local talent competition with a Michael-led rendition of the Temptations' "My Girl." Their father, who had been chauffeuring them to out-of-state performances, also booked their first paid professional gigs that year. In 1967, the group won an amateur talent competition at Harlem's legendary Apollo Theater, where they earned an influential fan in Gladys Knight (probably the first person to recommend the group to Motown). At the end of the year, the Jackson 5 made their first studio recordings for the small Gary-based Steeltown label, and their single "Big Boy" became something of a local hit. Championed again to Motown by Bobby Taylor, a member of the Vancouvers who'd seen the group in Chicago, and Diana Ross, the Jackson 5 finally got a chance to audition for the label in the summer of 1968. Desperately needing new blood, an impressed Berry Gordy signed the group and flew them out to his new headquarters in Los Angeles, where he and his assistants groomed them to be the label's next breakout stars. Having lost his famed Holland-Dozier-Holland songwriting team, Gordy formed a new partnership with Freddie Perren, Fonce Mizell, and Deke Richards dubbed the Corporation, which set about crafting material for the group.
In August 1969, shortly before Michael turned 11, the Jackson 5 opened for Diana Ross at the L.A. Forum, and in December, they issued their debut album, Diana Ross Presents the Jackson 5. On October 7, 1969, the Jackson 5 released their first single, "I Want You Back," a Corporation composition that had originally been intended for Gladys Knight. It was an instant smash, hitting number one on both the pop and R&B charts. So did their next two singles, "ABC" and "The Love You Save" (both from their second album, ABC), which solidified the group's so-called bubblegum-soul sound and certified them as pop sensations. Third Album was released before year's end, spawning the hit ballad "I'll Be There," which not only proved that the group (and lead singer Michael) were more mature and versatile than their bright, bouncy initial singles let on, but also made them the first group in pop history to have their first four singles hit number one. It also became the best-selling single in Motown history, spending a stellar five weeks at number one. And it had still been less than a year since the group's national debut.
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