Faure Requiem, Op. 48 / Pavane, Op. 50 Ed Spanjaard & Maastricht Limburg Symphony Orchestra
- Requiem, Op. 48
- 1I. Introit01:43
- 2II. Kyrie04:19
- 3III. Offertoire07:23
- 4IV. Sanctus02:40
- 5V. Pie Jesu03:15
- 6VI. Agnus Dei05:12
- 7VII. Libera me04:26
- 8VIII. In Paradisum03:03
- Pavane, Op. 50 (version for choir)
- 9Pavane, Op. 5004:37
- Madrigal, Op. 35
- 10Madrigal, Op. 3503:23
- Les Djinns, Op. 12
- 11Les Djinns, Op. 1204:19
- Ave verum, Op. 65, No. 1
- 12Ave Verum, Op. 65-103:02
- Tantum ergo, Op. 55
- 13Tantum Ergo, Op. 5502:43
- Cantique de Jean Racine, Op. 11
- 14Cantique de Jean Racine, Op. 1104:44
Info zu Faure Requiem, Op. 48 / Pavane, Op. 50
Thanks to the dedication, skill, and expressive power of the vocal soloists, choir, orchestra, and conductor, this profound and beautiful performance of Gabriel Fauré's "Requiem, Op. 48," is one of the most moving interpretations on album, and sure to garner critical praise for its polish and eloquence. Baritone Harry Peeters is especially moving in his solo in the Libera Me, and soprano Christiane Oelze's Pie Jesu is as seraphic and serene as one might wish. The scrupulously blended voices of the Netherlands Chamber Choir and the sonorous Limburg Symphony Orchestra, conducted by Ed Spanjaard, merge seamlessly in this gentle, legato performance. Yet it should also be noted that Spanjaard's pacing, while steady, is slightly faster than usual, which keeps the "Requiem" fluid and light, and prevents even the most foreboding passages from sliding into gloominess. (Blair Sanderson, All Music Guide)
“This is the hallmark of a great recording – one that does not beat you over the head but invites you inside its acoustic framework to share its delights”. (Rad Bennett, UltraAudio.com)
“Included with the Requiem on this album are several of Fauré’s lesser known smaller choral works. Most notable is a late edition of the orchestral Pavane to which Fauré has set a poetic text. Also included is the beautiful anthem Cantique de Jean Racine, performed here with orchestral accompaniment. Packaged with this excellent performance of the Requiem, this recording is a wonderful collection of Fauré’s choral music. (Adam Luebke, Opera Today)
Christiane Oelze, soprano
Harry Peeters, baritone
Netherlands Chamber Choir
Maastricht Limburg Symphony Orchestra
Ed Spanjaard, conductor
Ed Spanjaard was born in Haarlem, the Netherlands, in 1948. He studied music (piano and conducting) in Amsterdam and London. From 1973 onward he worked as repetiteur and assistant conductor at the Royal Opera House Covent Garden (under Colin Davis, among others), the Glyndebourne Festival Opera, the Royal Concertgebouw Orchestra (under Bernard Haitink) as well as with Leonard Bernstein and Herbert von Karajan. He also assisted for several years at Bayreuth, where he was involved in the preparations for the 1983 production of Wagner’s Der Ring des Nibelungen conducted by Georg Solti.
In 2001 he made his official debut at the Royal Concertgebouw Orchestra. This successful collaboration has since led to frequent return engagements with that orchestra. As a pianist, Ed Spanjaard specializes in lied accompaniment, and has worked with the singers Elisabeth Söderström, Frederica von Stade and Elly Ameling. More recently he appeared with Charlotte Margiono and Miranda van Kralingen. In May 2008 he appeared as soloist with ‘his’ orchestra in Maastricht in performances of Mozart’s Piano Concerto KV 488, conducted by Jaap van Zweden.
With the Nieuw Ensemble he has conducted countless premieres, including the chamber operas Wolvendorp and Night Banquet by Guo Wenjing, a new production of Der Kaiser von Atlantis by Viktor Ullmann, Een Ziel van Hout by Robert Heppener (Holland Festival 1998) and Alfred Alfred by Franco Donatoni. The Nieuw Ensemble and Joel Bons together established the Atlas Ensemble, comprised of musicians from all corners of the globe. In 2002 the Atlas Ensemble performed the world premieres of Seyir by Theo Loevendie and The waters flow their way by Fabio Nieder in Berlin.
As an opera conductor Ed Spanjaard has worked at De Nederlandse Opera (Amsterdam), the Opéra National de Lyon, the Nationale Reisopera (Enschede), Opera Zuid (Maastricht) and ‘Opera in Ahoy’ in Rotterdam, where he led a number of large-scale productions. His repertoire includes Aida, Don Carlo, La Bohème, Turandot, Der Freischütz, Peter Grimes, Jenufa and Pelléas et Mélisande (Lyon, directed by Peter Stein). In addition Ed Spanjaard has conducted at the Vancouver Opera (Carmen) and the Frankfurter Oper. He also introduced Wolvendorp in Paris and New York, and in 2007 he conducted the world premiere of Guo Wenjing’s most recent opera, Poet Li Bai, in Central City (Colorado).
In September 2007 Ed Spanjaard performed Mahler’s First Symphony and Bruckner’s Ninth with the Limburg Symphony Orchestra. In November/December 2007 the orchestra accompanied Puccini’s triptych Il Trittico (Il Tabarro, Suor Angelica and Gianni Schicchi) with Opera Zuid. Early 2008 he conducted the world premiere of Snow White by Micha Hamel at the Nationale Reisopera. In November 2008 the new theater in Enschede was inaugurated with the première of the opera Hotel de Peking by Willem Jeths.
From 2009 on, the Nationale Reisopera has programmed the complete Ring with Ed Spanjaard. The first three opera’s (Rheingold 2009, Die Walküre 2010, Siegfried 2011) were a succes. In 2012 Ed Spanjaard and the Nationale Reisopera will bring the Götterdammerung.
In January 2012 Ed Spanjaard made his first appearance with the Dutch Bach Society. In February 2012 he was worked for the first time with the Dallas Symphony Orchestra.
End of the season of 2012 Ed Spanjaard will end his period as principal conductor and artistic advisor of the Limburg Symphony Orchestra.